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The Arabica was also in use among the Muslims in Bosnia-Herzegovina. It was in fact the Arabic script used for the Croatian language and it constitutes the so-called Adjami or Aljamiado literature, similarly as in Spain F. are responding to the natural desire to find culturally and ethnically similar partners. However, there are virtually no dating sites just for whites. Two of its Russian translations with comments were issued soon after: in Moscow in 1846 and in St. A translation of the Vinodol Code into Polish appeared in 1856 and into French in 1896 (Jules Preux: La Loi du Vinodol traduite et annote // Nouv. 14, May 1978, in English, with commentaries (Ante Cuvalo web site) There are many other important legal documents regarding medieval Croatia, of which mention should be made (eleven hundred and three), is the oldest known Croatian law, originally written in the Glagolitic Script, preserved in later transcription in Latin Script (both in Croatian language). As such, it is then the oldest known law among the Slavs. However, special care accorded by the Vatican to the Glagolitic liturgy in subsequent centuries (even by publishing several Glagolitic missals in Rome), shows that this privilege applied to all Croatian lands using the Glagolitic liturgy, mostly along the coast.
The Vinodol Code does not allow torture during legal proceedings, and is considered to be one of the most important documents of medieval Europe. The code was published in many European countries: it was translated into at least nine languages. Its first sources in Croatia go back to the 15th century. One of the oldest texts is a love song called Chirvat-trkisi (Croatian song) from 1588, written by a certain Mehmed. We know that Middle Age Croatian scriptoriums were polygraphic (for example in Zadar and Krk), see [Malic, Na izvorima..., pp 35-56]. Jewels of the Croatian glagolitic culture: he Croatian Glagolitic alphabet has a long and interesting history of more than a thousand years.
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/ Helmut Schanze -- "Painting in time" and "visual music": on German avant-garde films of the 1920s / Walter Schobert -- Ruttmann, rhythm, and "reality": a response to Siegfried Kracauer's interpretation of Berlin, the symphony of a great city / David Macrae. Kennedy School of Government, Harvard University, 1994. Studies in German literature, linguistics, and culture (Unnumbered) "Negotiating Identities: Media Representations of Different Generations of Turkish Migrants in Germany." In: Fragments of culture: the everyday of modern Turkey / edited by Deniz Kandiyoti and Ayse Saktanber. Contents: Introduction -- The "place" of television in film studies -- Feminism and film history -- German film theory and Anglo-American film studies -- After shock, between boredom and history -- Historical ennui, feminist boredom -- World weariness, Weimar women, and visual culture -- Nazi cinema at the intersection of the classical and the popular -- The Hottentot and the Blonde Venus -- Film feminism and nostalgia for the seventies. Weimar and now ; 11Germany on Film: Theme and Content in the Cinema of the Federal Republic of Germany / Hans Gunther Pflaum; edited by Robert Picht; translated by Richard C. Nazi-retro Film: How German Narrative Cinema Remembers the Past / Robert C. In this article, the author gives a short overview of the German newsreel production in World War II, noting some aspects of the newsreels that tend to put the idea of them as perfect propaganda into question." [Communication Abstracts] "Film Music in the Third Reich." In: Composing for the screen in Germany and the USSR : cultural politics and propaganda / edited by Robynn Stilwell and Phil Powrie. Nazi-retro Film: How German Narrative Cinema Remembers the Past / Robert C. Series title: Twayne's Filmmakers Series."With a few important exceptions, Third Reich newsreels have attracted little scholarly attention.
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